Natela Nicoli was convincing in her double role
"...especially the former ensemble member Natela Nicoli. The Georgian mezzo-soprano found her way perfectly in the Marelli production. She filled the androgynous double role of "Octavian/Mariandl" plausibly, and vocally as well as dramatically, elegantly and pointedly in every phase."
(Kleine
Zeitung, 21.05.2005) |